The Latest

'Eine Arbeitswelt inszenieren, in der sich Sklaverei wie Freiheit anfühlt.'
Apr 19, 2014
Let them dance for you.
Berlin, 2014
Mar 20, 2014

Let them dance for you.

Berlin, 2014

We were all characters on a stage prepared by the hosts, entangled in a mystical play.
This is what he said, what they felt, what we feel.
Mar 19, 2014
BYO X AFTER-HOUR
Bring your own X (=variable=meets) After-hour
Sunday, March 16 
4PM onwards
VELVET Bar // Ganghoferstr. 1 // Berlin-Neukölln
Mar 13, 2014

BYO X AFTER-HOUR

Bring your own X (=variable=meets) After-hour

Sunday, March 16 

4PM onwards

VELVET Bar // Ganghoferstr. 1 // Berlin-Neukölln

Feb 19, 2014
Feb 17, 2014 / 1 note

Research for HFF MUC.

Berlin, 2014

Globalizing.
Venice, 2013
Feb 7, 2014 / 2 notes

Globalizing.

Venice, 2013

Multi-perspective glitch.
Berlin, 2014
Jan 20, 2014 / 1 note

Multi-perspective glitch.

Berlin, 2014

Jan 5, 2014

Do you come closer by moving farther away? Or do you move away by coming closer?

Blue Moon.
London, 2013
Dec 13, 2013

Blue Moon.

London, 2013

Free love? As if love is anything but free! … Love is free; it can dwell in no other atmosphere.
Emma Goldman
Dec 12, 2013 / 1 note
Surface Landscape.
Berlin, 2013
Dec 4, 2013

Surface Landscape.

Berlin, 2013

Dec 1, 2013

A tale about the power of desire and polarity. Based on a stream of consciousness poem, this genre-less film piece presents a kaleidoscopic vision of self-exploration through love and longing.

By Halea Isabelle Kala

Picking flowers.
Berlin, 2013
Nov 26, 2013

Picking flowers.

Berlin, 2013

Nov 22, 2013

THE ENCLAVE / Richard Mosse / Ireland Pavilion

One of my favourite pieces at the Venice Biennale 2013.
A different take on war photography and crisis zone documentation - an impressively disturbing and yet beautiful interplay between photography and film, as well as fiction and reality, as an alternative mode of story-telling.